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The humor in 'The Egg and I' masks a much darker story

caption: The KUOW Book Club is reading "The Egg and I" by Betty MacDonald in December 2024.
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The KUOW Book Club is reading "The Egg and I" by Betty MacDonald in December 2024.
Design by Katie Campbell

This is the KUOW Book Club. We just finished reading Betty MacDonald's enduring classic, "The Egg and I." I'm your club guide, Katie Campbell. Let's get into it.

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'll be honest with y'all: I did not particularly enjoy "The Egg and I." Sincerest apologies to the late author, whom I'm glad I can't interview for this final analysis.

I say that because I wouldn't want to do her any more emotional abuse than she endured during her life — abuse she masked with humor. The thing is, as we're reading this account of early 1900s life on the Olympic Peninsula, modern readers perhaps more easily recognize the signs of someone trying to laugh away their trauma. I'm not fooled, Betty.

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She dropped much of the veneer in the final two chapters, recounting the terrifying brush with a massive fire that nearly engulfed the farm, among other things, in the final pages. And you can feel her resolve finally giving way:

My life on the ranch had reached some sort of climax and it was the aftermath which worried me. We were just about to go into another long, dreary winter and I felt harried and uncertain as though I were boarding a steamer with no passport and no luggage. THE EGG AND I, PAGE 281

And when she meets Mrs. Weatherby, a woman who seems to be on her own with four children in a moldering house and mental illness, Betty sees a not inconceivable future in which her own loneliness leaves her untethered to the world.

When we got in the car, Bob said, "That woman! Completely nuts!" But I had an awful foreboding that given time I could be like Mrs. Weatherby. THE EGG AND I, PAGE 260

It's hard to image Betty admitting as much earlier in the book, when she was maintaining her farcical recounting of that point in her life, which she eventually left behind. If Betty were still with us today, I'd ask her whether she again found herself worn down as she wrote the book. Did the humor slowly fade as she remembered each of her husband's slights? Each moment of isolation? The perfectly reasonable things to fear, even if Bob didn't think she was right to fear them?

I know it was another time, and women's place in society was not what it is today. But time and again, Betty reminds us just how little her Bob thought of her.

I felt validated in that view when I heard from our fellow reader, Jane: "'The Egg and I' kind of blind-sided me with the horror of making an abusive marriage funny," she wrote in an email. I could not agree more. What was marketed as a "humorous memoir" and made into a "romantic comedy" film in 1947 was more of a vaguely comedic tragedy.

Consider his reaction when she returns home one evening, certain she's been followed by some predator in the woods. Their home being smack in the Olympic wilderness, that's not an unrealistic suspicion. Yet Bob cannot believe that Betty knows anything about anything out there.

His lack of appreciation for Betty nearly costs him his life, as he traipses out into the woods and is attacked by a bear. Frankly, I was rooting for the bear.

I think what bothers me most about Bob is his apparent need to conquer everything around him rather than admire and respect it. Even though Betty is not fond of farm life and is often disdainful of the hardships the natural world doles out, she is able to stop and bask in it. Consider this passage, after she and Bob visit a massive logging camp with a friend:

Coming back through the mountains, serene and cool in their dark green robes, I asked Cecil how long he thought our forests would last. He was very pessimistic. "Look," he said. "See those red flags?" I knew; they were planted every two or three miles. "Those flags mean 'Watch out for trucks' and trucks mean a skid road and every skid road means a logging outfit. The smaller the outfit the worse the waste. Improper logging is like a bum shot trying to shoot a certain man in a large crowd. He might get his man the first shot, but he's more likely to shoot two or three dozen innocent people trying to hit the man." I counted twenty-seven red flags on the way home. Some of them may have been old, some may have belonged to pole cutters, but even ten were too many. Bob was so enthusiastic about logging, loggers, camp life and logging terms, that he asked Cecil if he would show him how to fell an enormous cedar on the back of our place. THE EGG AND I, PAGE 231

This simple difference says a lot actually.

It makes me think back to Tim Egan's "The Good Rain," and his telling of how the logging industry forever changed our region's pristine forests. People like Bob cheered it on, seeing only more opportunities for commerce and getting a piece of it for himself. Betty saw poetry in what existed long before humans ever even thought of the word "commerce."

I most enjoyed "The Egg and I" when Betty explored that poetry, letting her own whimsical depictions of the mountains around her go on for long, luscious paragraphs. But it was most tedious in the many pages relating her own daily tedium. I would have liked the book much more if she'd skipped the lengthy descriptions of her many chores, which she knew to be a bore anyway.

RELATED: Chickens are just the fall guy in this funny, blunt tale of life on the Olympic Peninsula

And the chickens. The chickens did not deserve Betty's hatred. They were barely mentioned at all when it comes down to it! When Betty says, on page 149, "I really tried to like chickens," I found myself scoffing — because I really tried to like "The Egg and I." But like Betty with her brood, I failed in the end.

It's a fine book, and maybe I couldn't fully appreciate it because I read her dreary descriptions while sunbathing in Australia for the holidays. Still, it wouldn't be my first choice if I had to pick this month's book again. Or as Betty said of her marriage to Bob:

Would that I had it to do over again. THE EGG AND I, PAGE 178
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